Robot strippers with cameras for heads are the highlight of the biggest tech conference of the year<\/h2>\n\n\n\n\n
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Robots, as they say, are coming for your job. Even you, strip club dancers!<\/p>\n\n\n\n\n
That’s the number one lesson we’re taking away from this year’s Consumer Electronics Show, which is currently taking place in Las Vegas. One intrepid strip club, the Sapphire Las Vegas, flew in these robot strippers from London in a bid to entice CES attendees, The Daily Beast’s Taylor Lorenz reports.<\/p>\n\n\n\n\n
More bizarrely, the club says it’s an attempt to sway women to attend.<\/p>\n\n\n\n\n
The Sapphire Las Vegas is normally a standard strip club, with human (female) dancers. But during CES 2018, going on this week, it’s transforming into a robot strip club.<\/h2>\n\n\n\n\nIt still has a stable of female dancers, but the big feature during CES \u2014 intended to draw in CES attendees \u2014 is a gaggle of robot dancers brought in from the UK.<\/h2>\n\n\n\n\nThe robots have terrifying-looking closed circuit television cameras as heads, giving them a distinctly “Mass Effect” vibe.<\/h2>\n\n\n\n\nThe combination of stage lighting, hard plastic anatomy, and exposed wiring give these robot strippers a real air of “dystopian future.”<\/h2>\n\n\n\n\n
The robots have terrifying-looking closed circuit television cameras as heads, giving them a distinctly “Mass Effect” vibe.<\/h2>\n\n\n\n\nThe combination of stage lighting, hard plastic anatomy, and exposed wiring give these robot strippers a real air of “dystopian future.”<\/h2>\n\n\n\n\n
To go along with the “dystopian future” vibe, the club’s managing partner Peter Feinstein told The Daily Beast that his club is using the robot strippers as a means of attracting a more diverse crowd. “If you\u2019re six people from a company and there\u2019s two women and four guys, you can still here and have some fun and see the robots and not feel like you have to be part of a strip club,” he said.<\/p>\n\n\n\n\n
Here\u2019s the story behind the pole-dancing robots everyone\u2019s talking about at CES<\/h2>\n\n\n\n\n
Giles Walker made dancing robots as art. Now he\u2019s been roped into the sex industry.<\/p>\n\n\n\n\n
Share this story<\/h2>\n\n\n\n\nShare<\/strong> All sharing options for: Here\u2019s the story behind the pole-dancing robots everyone\u2019s talking about at CES<\/h3>\n\n\n\n\n![\"Photo](\"https:\/\/cdn.vox-cdn.com\/thumbor\/VMmCJ5lN7ai42cW4IiztHUUdAhI=\/0x0:1125x761\/320x213\/filters:focal(473x291:653x471)\/cdn.vox-cdn.com\/uploads\/chorus_image\/image\/58268329\/Screen_Shot_2018_01_09_at_2.24.53_PM.0.png\")
<\/p>\n\n\n\n\n
\u201cI\u2019m here to see the robot strippers?\u201d<\/p>\n\n\n\n\n
That was me, Monday night, walking into a Las Vegas strip club in hopes of finding one of the more bizarre forms of entertainment near the Strip: A pair of pole-dancing robots I\u2019d read about in an International Business Times article earlier that day.<\/p>\n\n\n\n\n
The robots were an obvious gimmick during one of Las Vegas\u2019s busiest weeks of the year \u2014 the 50th Consumer Electronics Show, a massive annual tech trade show full of geeky gadgets and gizmos, from touchscreens to cars to fancy electric trashcans. The Sapphire Gentleman\u2019s Club, a strip club right off Vegas\u2019 main drag, paid to showcase the robots as a way to drum up interest from press and customers.<\/p>\n\n\n\n\n
As a first-time CES attendee, the gimmick worked on me: What could be more CES than pole-dancing robots?<\/em><\/p>\n\n\n\n\nThe robots were as advertised: They gyrated on a stripper pole to music from 50 Cent and Pharrell, with dollar bills scattered on the stage and the floor. A half-dozen human dancers, most of whom were dressed in tight, shiny robot costumes, repeatedly took pics in front of their metallic colleagues. (The woman greeting guests as I walked in told me that I missed a skit where the human dancers unveiled the robot dancers to \u201cStar Wars\u201d music, and then joked about them stealing their jobs.)<\/p>\n\n\n\n\n
The robots look nothing like actual humans, thank God. They had CCTV security cameras for faces, and you could see their metal interiors and wires as they moved up and down the pole. (They were, however, wearing high heels.)<\/p>\n\n\n\n\n
And unlike many of the big tech gimmicks you\u2019ll hear about this week from CES, the robot pole-dancers aren\u2019t courtesy of a massive multi-billion dollar corporation. They\u2019re the work of an artist named Giles Walker, a 50-year-old Brit who describes himself as a scrap metal artist with a passion for building animatronic robots. One of his other projects, The Last Supper, features 13 robots interacting around a table.<\/p>\n\n\n\n\n
Walker says he got the idea for pole-dancing robots more than seven years ago, when he noticed the rise of CCTV cameras being used as a way to surveil people in Britain for safety purposes, what he called \u201cmechanical Peeping Toms.\u201d He was inspired by the idea of voyeurism, or watching others for pleasure, and decided to try and turn the cameras into something sexy on their own.<\/p>\n\n\n\n\n
\u201cThere\u2019s a challenge,\u201d he said from a back table at the Sapphire Club, his robotic creations gyrating some 30 feet away. \u201cI think if you\u2019re a painter, you might want to paint a beautiful woman and make it beautiful. I\u2019m a sculptor, and I wanted to do something that was sexy.\u201d<\/p>\n\n\n\n\n
His robots have become a hit, and not just at CES (this viral tweet from December certainly helped).<\/p>\n\n\n\n\n
Walker says he\u2019ll rent them out for corporate parties \u2014 usually \u201cfull of men in shirts,\u201d he says \u2014 and referred to the robots as his \u201cChristmas jingle,\u201d which help pay the bills in a profession where money isn\u2019t always easy to come by.<\/p>\n\n\n\n\n
But while pole-dancing robots might have been just a silly side effect of CES a few years ago, tech\u2019s recent grappling with the industry\u2019s obvious issues of sexism and gender disparity now put stripper robots in a very different light. CES has already been called out for a lack of gender diversity, and some see dancing robots as yet another example of a chauvinist industry lacking self-awareness.<\/p>\n\n\n\n\n
Walker, for his part, sees different concerns with his creations. The rise of human-like robots is coming, he says, and bringing them into the sex industry will be particularly problematic.<\/p>\n\n\n\n\n
\u201cThey will invent the sex robot,\u201d Walker said. \u201cEveryone\u2019s striving to do it. I\u2019ve been approached as well, but I think it\u2019s a really dark area. I\u2019m loath to go there.\u201d<\/p>\n\n\n\n\n
\u201cMy worry is \u2014 and this is really crude, but it is a crude idea \u2014 if you build a robot that you can have sex with, then you can build a robot that you can rape, and you can build a child robot that you can have sex with, and it\u2019s all supposedly legal,\u201d Walker continued. \u201cBut [just] because it\u2019s legal, does that mean it\u2019s a healthy thing? The dark side of the sex industry will create some really fuckin\u2019 nasty, nasty stuff, and I think, \u2018Is it worth it?\u2019\u201d<\/p>\n\n\n\n\n
Walker is now dealing with the reality that his creations are indeed associated with sex, and while he may not like where the industry is headed, it can be difficult to get out altogether.<\/p>\n\n\n\n\n
\u201cI didn\u2019t build these to get involved in the sex industry. They weren\u2019t about sex, they were about voyeurism,\u201d he added. \u201cI\u2019ve been dragged into this side of things unintentionally, but I\u2019m not complaining. It does pay the bills. I am a robot pimp in that way.\u201d<\/p>\n\n\n\n\n
This article originally appeared on Recode.net.<\/em><\/small><\/p>\n\n\n\n\nMost news outlets make their money through advertising or subscriptions. But when it comes to what we\u2019re trying to do at Vox, there are a couple reasons that we can’t rely only on ads and subscriptions to keep the lights on.<\/p>\n\n\n\n\n
First, advertising dollars go up and down with the economy. We often only know a few months out what our advertising revenue will be, which makes it hard to plan ahead.<\/p>\n\n\n\n\n
Second, we\u2019re not in the subscriptions business. Vox is here to help everyone understand the complex issues shaping the world \u2014 not just the people who can afford to pay for a subscription. We believe that\u2019s an important part of building a more equal society. We can\u2019t do that if we have a paywall.<\/p>\n\n\n]]><\/p>\n","protected":false},"excerpt":{"rendered":"
<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","cybocfi_hide_featured_image":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-353","post","type-post","status-publish","format-standard","hentry","category-uncategorized","entry"],"_links":{"self":[{"href":"https:\/\/www.sesglobal.com.au\/blog\/wp-json\/wp\/v2\/posts\/353","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sesglobal.com.au\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sesglobal.com.au\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sesglobal.com.au\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sesglobal.com.au\/blog\/wp-json\/wp\/v2\/comments?post=353"}],"version-history":[{"count":0,"href":"https:\/\/www.sesglobal.com.au\/blog\/wp-json\/wp\/v2\/posts\/353\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.sesglobal.com.au\/blog\/wp-json\/wp\/v2\/media?parent=353"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sesglobal.com.au\/blog\/wp-json\/wp\/v2\/categories?post=353"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sesglobal.com.au\/blog\/wp-json\/wp\/v2\/tags?post=353"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/p>\n\n\n\n\n
\u201cI\u2019m here to see the robot strippers?\u201d<\/p>\n\n\n\n\n
That was me, Monday night, walking into a Las Vegas strip club in hopes of finding one of the more bizarre forms of entertainment near the Strip: A pair of pole-dancing robots I\u2019d read about in an International Business Times article earlier that day.<\/p>\n\n\n\n\n
The robots were an obvious gimmick during one of Las Vegas\u2019s busiest weeks of the year \u2014 the 50th Consumer Electronics Show, a massive annual tech trade show full of geeky gadgets and gizmos, from touchscreens to cars to fancy electric trashcans. The Sapphire Gentleman\u2019s Club, a strip club right off Vegas\u2019 main drag, paid to showcase the robots as a way to drum up interest from press and customers.<\/p>\n\n\n\n\n
As a first-time CES attendee, the gimmick worked on me: What could be more CES than pole-dancing robots?<\/em><\/p>\n\n\n\n\n The robots were as advertised: They gyrated on a stripper pole to music from 50 Cent and Pharrell, with dollar bills scattered on the stage and the floor. A half-dozen human dancers, most of whom were dressed in tight, shiny robot costumes, repeatedly took pics in front of their metallic colleagues. (The woman greeting guests as I walked in told me that I missed a skit where the human dancers unveiled the robot dancers to \u201cStar Wars\u201d music, and then joked about them stealing their jobs.)<\/p>\n\n\n\n\n The robots look nothing like actual humans, thank God. They had CCTV security cameras for faces, and you could see their metal interiors and wires as they moved up and down the pole. (They were, however, wearing high heels.)<\/p>\n\n\n\n\n And unlike many of the big tech gimmicks you\u2019ll hear about this week from CES, the robot pole-dancers aren\u2019t courtesy of a massive multi-billion dollar corporation. They\u2019re the work of an artist named Giles Walker, a 50-year-old Brit who describes himself as a scrap metal artist with a passion for building animatronic robots. One of his other projects, The Last Supper, features 13 robots interacting around a table.<\/p>\n\n\n\n\n Walker says he got the idea for pole-dancing robots more than seven years ago, when he noticed the rise of CCTV cameras being used as a way to surveil people in Britain for safety purposes, what he called \u201cmechanical Peeping Toms.\u201d He was inspired by the idea of voyeurism, or watching others for pleasure, and decided to try and turn the cameras into something sexy on their own.<\/p>\n\n\n\n\n \u201cThere\u2019s a challenge,\u201d he said from a back table at the Sapphire Club, his robotic creations gyrating some 30 feet away. \u201cI think if you\u2019re a painter, you might want to paint a beautiful woman and make it beautiful. I\u2019m a sculptor, and I wanted to do something that was sexy.\u201d<\/p>\n\n\n\n\n His robots have become a hit, and not just at CES (this viral tweet from December certainly helped).<\/p>\n\n\n\n\n Walker says he\u2019ll rent them out for corporate parties \u2014 usually \u201cfull of men in shirts,\u201d he says \u2014 and referred to the robots as his \u201cChristmas jingle,\u201d which help pay the bills in a profession where money isn\u2019t always easy to come by.<\/p>\n\n\n\n\n But while pole-dancing robots might have been just a silly side effect of CES a few years ago, tech\u2019s recent grappling with the industry\u2019s obvious issues of sexism and gender disparity now put stripper robots in a very different light. CES has already been called out for a lack of gender diversity, and some see dancing robots as yet another example of a chauvinist industry lacking self-awareness.<\/p>\n\n\n\n\n Walker, for his part, sees different concerns with his creations. The rise of human-like robots is coming, he says, and bringing them into the sex industry will be particularly problematic.<\/p>\n\n\n\n\n \u201cThey will invent the sex robot,\u201d Walker said. \u201cEveryone\u2019s striving to do it. I\u2019ve been approached as well, but I think it\u2019s a really dark area. I\u2019m loath to go there.\u201d<\/p>\n\n\n\n\n \u201cMy worry is \u2014 and this is really crude, but it is a crude idea \u2014 if you build a robot that you can have sex with, then you can build a robot that you can rape, and you can build a child robot that you can have sex with, and it\u2019s all supposedly legal,\u201d Walker continued. \u201cBut [just] because it\u2019s legal, does that mean it\u2019s a healthy thing? The dark side of the sex industry will create some really fuckin\u2019 nasty, nasty stuff, and I think, \u2018Is it worth it?\u2019\u201d<\/p>\n\n\n\n\n Walker is now dealing with the reality that his creations are indeed associated with sex, and while he may not like where the industry is headed, it can be difficult to get out altogether.<\/p>\n\n\n\n\n \u201cI didn\u2019t build these to get involved in the sex industry. They weren\u2019t about sex, they were about voyeurism,\u201d he added. \u201cI\u2019ve been dragged into this side of things unintentionally, but I\u2019m not complaining. It does pay the bills. I am a robot pimp in that way.\u201d<\/p>\n\n\n\n\n This article originally appeared on Recode.net.<\/em><\/small><\/p>\n\n\n\n\n Most news outlets make their money through advertising or subscriptions. But when it comes to what we\u2019re trying to do at Vox, there are a couple reasons that we can’t rely only on ads and subscriptions to keep the lights on.<\/p>\n\n\n\n\n First, advertising dollars go up and down with the economy. We often only know a few months out what our advertising revenue will be, which makes it hard to plan ahead.<\/p>\n\n\n\n\n Second, we\u2019re not in the subscriptions business. Vox is here to help everyone understand the complex issues shaping the world \u2014 not just the people who can afford to pay for a subscription. We believe that\u2019s an important part of building a more equal society. We can\u2019t do that if we have a paywall.<\/p>\n\n\n]]><\/p>\n","protected":false},"excerpt":{"rendered":" <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","cybocfi_hide_featured_image":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-353","post","type-post","status-publish","format-standard","hentry","category-uncategorized","entry"],"_links":{"self":[{"href":"https:\/\/www.sesglobal.com.au\/blog\/wp-json\/wp\/v2\/posts\/353","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sesglobal.com.au\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sesglobal.com.au\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sesglobal.com.au\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sesglobal.com.au\/blog\/wp-json\/wp\/v2\/comments?post=353"}],"version-history":[{"count":0,"href":"https:\/\/www.sesglobal.com.au\/blog\/wp-json\/wp\/v2\/posts\/353\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.sesglobal.com.au\/blog\/wp-json\/wp\/v2\/media?parent=353"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sesglobal.com.au\/blog\/wp-json\/wp\/v2\/categories?post=353"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sesglobal.com.au\/blog\/wp-json\/wp\/v2\/tags?post=353"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}